One might even say its three pinballing stories seem lifted from different movies entirely, but that’s precisely the point: Within the film’s universe, each one is directed (and redirected, on the hoof) by a different teller, their respective characters befuddled by incongruous developments wrought by an invisible hand.
The tetchy indie comedy it begins as, starring Canuck actress Alison Pill as a frustrated doodler working in a sex-doll factory, feels at least a continent removed from the loose, Bernal-starring showbiz satire of later sections, rendered in candy-colored, Lichstenstein-esque rotoscope animation. A Canadian-Brazilian co-production boasting Fernando Meirelles among its executive producers, “Zoom” isn’t without what could be termed “Ameripudding” inconsistencies.
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